Publications
(under review) “‘It’s all yours, from the hill to the sea, Hawaiian!’: Oceanic Perspectives on Reggae in Hawai‘i” in Sovereign Aesthetics: Indigenous Approaches to Sound Studies, edited by Jessica Bissett Perea and Trevor Reed for Duke University Press.
(under review) “The Fisherman and The Farmerman: Reggae as Medium for Political Consciousness in Hawai‘i”
2022. Review: Listen But Don’t Ask Questions: Hawaiian Slack Key Guitar Across the TransPacific by Kevin Fellezs. In Journal of the Society for American Music, 16 (1): 120-123.
2021. “Sacred Relations: Indigenous Perspectives on Religion.” In SEM Student News, 17 (1): 1-2. https://www.semsn.com/sacred-relations-kale
2021. “Thoughts from My Desk: Writing Tips for Graduate Students.” In SEM Student News, 16 (2): 9-11. https://cdn.ymaws.com/www.ethnomusicology.org/resource/group/dc75b7e7-47d7-4d59-a660-19c3e0f7c83e/publications/semsn_16-2.pdf
2017. “A Response to ‘Decolonizing Ethnomusicology.’” In SEM Student News, 13 (1): 25-26. https://cdn.ymaws.com/www.ethnomusicology.org/resource/group/dc75b7e7-47d7-4d59-a660-19c3e0f7c83e/publications/SEMSN13.1.pdf
Awards
University of California, Davis
University of California President’s Postdoctoral Fellowship Program
2022-2023
Dartmouth College
Charles Eastman Fellowship
2020-2022
Society for American Music
Robert Walser and Susan McClary Fellowship
2019
University of California, Santa Barbara
Doctoral Student Travel Grant
2019
University of California, Santa Barbara
Graduate Opportunity Fellowship
2017
Full CV available here